For higher channel count systems, SSL's proprietary Blacklight II high bandwidth multiplexed MADI is used to reduce the number of interconnecting cables. For simpler systems standard coaxial MADI can be used to connect the console directly to analogue and/or digital AES/EBU Stageboxes. Remote gain control data is carried via MADI. Interconnection between console and stage is via MADI. Unlike a traditional subgroup, full and dry Stem Groups can be routed to another Stem Group to create a highly flexible and easy to manage mixing environment.Ī fully scalable set of remote I/O units are available for the Live including analogue, AES/EBU digital and MADI devices. It features all of the processing and routing functionality of a Channel. It functions in a similar way to a traditional subgroup, but is, in essence, a fully featured input channel without the mic/line input stage. The SSL Live introduces a new type of signal path not found on other live consoles which they call the Stem Group.
The Channel setup panel in the touch screen makes configuration and routing fast and intuitive. Full channels have hi and lo-pass filters, four-band parametric EQ which carries the legendary SSL tonal character (switchable between Legacy or constant Q), compressor with a new tube 'warmth' effect, expander/gate, delay, panning and all pass filter. Library Cases & Media Library Media CasesĬlick here to see the SSL LIVE Brochure >ġ2 mic/line, 2 TB, 3.5mm input, 12 line out, 2x headphoneĬhannels have their own dedicated processing power and can be full with complete processing or dry and consume less processing power.
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